From Strilli.it
Today at 11.30 am in the Council Chamber at Monasterace Superior, the City Council to publicly reward Monasterace Marvanza Reggae Sound "in recognition of their participation in the concert of May 1, 2010 in Piazza San Giovanni in Rome, where with their sound have paid tribute to the heat e alle tradizioni della nostra bella terra".
Il loro ruolo di ambasciatori al concerto più atteso dell'anno, dunque, verrà riconosciuto dal comune nel quale i Marvanza Reggae Sound sono nati e che, grazie a loro, è arrivato nella suggestiva cornice di Piazza San Giovanni a Roma di fronte ad un pubblico composto da 700.000 persone.
Il loro reggae fuori dagli schemi e libero da vincoli di stile, dunque, viene interpretato come un esempio per i ragazzi di Monasterace, come sottolineato dall'assessore per le politiche giovanili Angela Belluzzi, grazie a canzoni con le quali lanciano il loro appello sociale contro il disinteresse dello stato, insieme ad una visione ottimistica e allegra della vita. Un reggae pacifista e rivoluzionario at the same time, highlighting the importance of opening our eyes to the daily problems of our country. The dialect
monasteracese mixed Italian, is the means by which Marvanza convey their message, a cry social striving to break with the music, the deafening silence that condemn our country to ruin and decided to say no to violence and social decay. In their texts alternate cries of protest and the attention of an entire floor of undoubted importance to social issues: the common thread that ties their songs is the desire to change the world, a world where social injustice and repression seem to deny respect for the person as such. Despite these tough issues, their strength is in the mix irony in their songs and reflection. It's an excuse to talk about the problems faced by a world governed "by dirty black hands", as they themselves describe in their songs the dynamics of power, from a state that does not care about our lands and our economic development.
To them, therefore, the task of leading this "social revolution" with only the music as a weapon, carrying with it many young people as possible, wearing the clothes of those who want to drag their country out of the limbo in which he is bogged down, through proclamations and social love songs are typical of their notes, their coloring Calabria with the warmth of a new form of reggae.
Il loro ruolo di ambasciatori al concerto più atteso dell'anno, dunque, verrà riconosciuto dal comune nel quale i Marvanza Reggae Sound sono nati e che, grazie a loro, è arrivato nella suggestiva cornice di Piazza San Giovanni a Roma di fronte ad un pubblico composto da 700.000 persone.
Il loro reggae fuori dagli schemi e libero da vincoli di stile, dunque, viene interpretato come un esempio per i ragazzi di Monasterace, come sottolineato dall'assessore per le politiche giovanili Angela Belluzzi, grazie a canzoni con le quali lanciano il loro appello sociale contro il disinteresse dello stato, insieme ad una visione ottimistica e allegra della vita. Un reggae pacifista e rivoluzionario at the same time, highlighting the importance of opening our eyes to the daily problems of our country. The dialect
monasteracese mixed Italian, is the means by which Marvanza convey their message, a cry social striving to break with the music, the deafening silence that condemn our country to ruin and decided to say no to violence and social decay. In their texts alternate cries of protest and the attention of an entire floor of undoubted importance to social issues: the common thread that ties their songs is the desire to change the world, a world where social injustice and repression seem to deny respect for the person as such. Despite these tough issues, their strength is in the mix irony in their songs and reflection. It's an excuse to talk about the problems faced by a world governed "by dirty black hands", as they themselves describe in their songs the dynamics of power, from a state that does not care about our lands and our economic development.
To them, therefore, the task of leading this "social revolution" with only the music as a weapon, carrying with it many young people as possible, wearing the clothes of those who want to drag their country out of the limbo in which he is bogged down, through proclamations and social love songs are typical of their notes, their coloring Calabria with the warmth of a new form of reggae.
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